warm, hazy and driving deep house from pro-tez features a bright young hope, harry light. it is a vital bit of modern house magic with a blend of detroit-influenced chords and neatly padded kicks arranged with that cool grooving finish. the vibe is deep and punchy, also taking in classic chicago house elements from mr. fingers, disco from loose joints, dub from rhythm & sound, modern but vintage sounding house from harry light. limited t0 300 vinyl copies.

church follow on from their hugely successful debut release of lorcas faith evans refix late last year (church000), with the launch of their new side project church white. this sub label will focus more on the melodic side of the spectrum, decidedly not shying away from the use of a vocal sample. moving on from its bootleg debut (church000), church white will also be the home to edits and original productions. the first release comes from co-founder seb wildblood whom recently released on kerri chandlers much loved imprint madtech records.

vester koza recently debuted with 2 critically acclaimed eps earlier this year. the londoner has also been busy as a dj, producing mixes for the likes of bleed and performing at events such as unsound london. this single will round up a trio of 12 releases for 2013. the music has been mastered for vinyl by helmut erler at dubplates and mastering berlin

egyptrixx gives a glimpse into his forthcoming second album on night slugs with the vinyl-only cut *water (reduced)*. the hi-definition crystalline world of his previous album *bible eyes* has sunken, submerged. *water* takes place in some vast molten expanse, a subterranean electrical storm expressed as acid-tech. this 12 inch features the reduced dub, stripped of melody to for full hypnotic effect. the full version can be heard on the forthcoming album, titled *a/b til infinity*. on the flip: helix keeps bootlegging our records. he cuts up the masters and edits them up like fruity loops lego, applying the same post-timbaland stutter-logic that was amplified so dramatically in 03-06 grime. here he puts his hand to egyptrixx blastbeats-heavy *adult*, also taken from the forthcoming *a/b til infinity* lp. the results are extremely punishing but compelling listening.

this is a special release from nuta cookier with the singer andressa parra. the ocean has also remixes from axel karakasis, oliver lieb and tayan. this a amazing ep for people who love house music and vocals.

it is 2013 and in this release we hear a totally new approach to sampling. a vinyl release of two artists. fitz ambro$e (cape breton island) residing intokyo, & ohbliv of richmond, virginia(usa). fitz ambro$e sound has unique influence from 90s hip hop and 80s soul, he is also affiliated with cosmopolyphonic collective in tokyo. from the record archives of his father, ohbliv developed the charm of sampling. the record is a 14 track collage of beats from two uniquely talented artists who transcend their individual musical roots. as if competeing with each other both leave the remnants of sampling material, and the method in which they cut and chop is truely an interesting work.

tip! serie limitee records is a brand new >vinyl-only< label created by london based dj & producer monsieur cedric. limited to 300 copies. chicagos maestro joey kays >full flight< is a classic deep-house masterpiece. steve frisco is an underground pioneer who has been around for nearly two and half decades, >red zone< is an homage to some popular early 90s french riveras after-hours. e.r.m.a.n & abtomats >el gatito< is a dark chicago house track, perfect for some obscure dancefloors. monsieur cedrics backroom remix takes things even further. the label manager also added a mysterious bonus track, an edit of a 90s classic called >bonus track 1<.

unclosed starts a new project with analog series. 10 references in premium vinyl format with the best underground world techno producers. only 300 copies from a 180gr vinyl made hand one by one. eduardo de la calle sign the first reference with two techno tracks in side a. underground techno detroit to headphones and dancefloor. in the side b, one techno dub track from tecknoise and one techno track from martin emit. the final label art is manually sticked in the vinyl by unclosed team. also, the vinyl colour amount and opacity is diferent in each one, then don’t exist two equal vinyls.

after take 1 comes take 2, it sometimes really is that simple. together with the pre-take that came out before the summer this third volume in wphs our beat is still new project completes the 12 tracks that form the album. more members of the core wph family are on board here, but we also welcome some newcomers to the label.

on and on the amsterdam based artist and events agency recently launched their new musical venture on records with an ep from jeff rushin & nicole rosie. 001 received a wealth of warm support and today on returns with its new release from fellow dutch artists, doka & shltr.
for 002 on takes a trip to the south of the netherlands (via amsterdam). doka is a name on the on rise. his uncompromising, relentless productions has already seen release on wolfksuil and android muziq and he a regular on the dutch techno circuit. dub techno is the first love of shltr and his own production style also touches on ambient and electronica. together the pair form an impressive partnership, melding their sounds and styles in perfect harmony to create two stunning original tracks in skarn and sovite. keeping it dutch, on welcome darko esser in his tripeo guise on the remix of skarn. the wolfskuil and balans boss has been blazing a trail with his ltd vinyl only tripeo series and is now taking the act on the road. here he takes skarn on a beautifully powerful acid-laced trip that is certain to please.

dfa is proud to announce a new split single featuring both the juan maclean and shit robot. the single highlights the warped and wonky piano house both acts have become famous for. the juan maclean track features long time vocalist nancy whang (also of lcd soundsystem), who helps deliver yet another wildly catchy dance floor anthem, in line with prior collaborative successes “happy house” and “you are my destiny.” shit robot brings in famed stand up comedian (and closet soul vocalist) reggie watts whose incredible voice glides from falsetto to baritone in a single verse. the combination of the deep bass lines, wild voice and piano stabs weaving in and out make this one of the strongest and unique singles in the shit robot catalog. both shit robot & the juan maclean have full length albums due in 2014 on dfa records. limited to 500 stamped and numbered copies, includes digital download code.

following the very recent success of the fokuz group ep on penny royal, label boss paul mac teams up once again with kryptic minds to provide some more bass heavy club techno. fellow osiris artist killawatt providing a heavy alternative mix also. early dj support on this one from dave clarke, ben sims , james ruskin & oscar mulero.

murphy jax delivers a fresh full length lp entitled *teleport: echo city* via the frankfurt based chiwax imprint.
murphy jax, over the past few years, has been steadily building up a back catalogue of solid electronic workouts. delivering content for the likes of clones jack for daze series, hypercolour, exploited and turbo,jaxs style meanders through a variety of styles, ranging from low-slung, chuggy grooves through to straight up chicago inspired house rhythms, always keeping the production intriguing and melodic. here murphy joins the chiwax roster (a sub-label of rawax, also running the dubwax and housewax labels), alongside heavy hitters like gemini and perseus traxx.

the record is dedicated to quality house music, touching the deepest jazz realms with the song *spiritually captured* by glenn underground and on the flipside the wonderful *how i feel* by isoul8 that features the genius kaidi tatham on keyboards, licensed from the neroli records catalogue and remastered for the event. also on the b side a wild collaboration from isoul8 & ricardo miranda, a real futuristic track for the headz!

at a young age still influenced by u.s. hiphop stars such as n.w.a., public enemy or run dmc, the love to electronic music has also been growing over the years. sebastian phillip has since appeared in numerous prestigious clubs in the country and also at the berlin loveparade.

reissue ep featuring 4 hard-to-find classics from northern soul hero edwin starr. blessed with a powerful voice, he also showed great skill & innovation in his productions creating masterpieces in wild variety of styles from lo-fi minimal funk to hi-octane disco.

uk house/disco duo casino times are happy to announce the first in a brand new series of hand stamped, limited italo/disco edits curated or produced by the fun loving boys themselves. casino times have been releasing their own brand of catchy, neatly swung, dance floor ready disco and house on labels like wolf music and needwant. it is not often that an artist can be defined by such a distinctive sound whilst still maintaing a varied and extremely open minded approach to music production and djing. no two of their tracks are similar, yet somehow you will be sure you are listening to a casino times song before it reaches the chorus. their productions sit so comfortably on that precarious boundary that so many artists struggle to sit, while they are emotionally charged they are also extremely dance floor friendly and are as fun as they are provoking. the first in the series (casino edits 001) comes courtesy of the london based duo themselves and is testament to what the series intends to achieve… limited hand stamped copies.

ol aka oleg buyanov is well known in his native russia already. he has a background extending from releases on faces records and scuzzy lo-fi hip hop beats on labels like error broadcast, idle and fine grains dating back to 2007. more recently though he has been increasingly turned on by dance floor focussed sounds and as such, here come two missives on russias capital bass (which also hosts a popular bass and garage night in moscow and has done since 2006).

horo gives true artists the freedom to represent the full extent of their talent and it is not often the cerebellum is truly engaged with the genre we have grown from but music for the mind is one of our over-arching ideals. and so we come to *scope*, the 10th release, a full length compilation spread over 5 vinyl 12 inches. deviating somewhat from our vinyl only position up to this point, given the scale and magnitude of this project scope will also be released on cd & digital, although there will also be 5 vinyl only tracks by way of thanks to the vinyl buyers that have supported the label up to this point. 24 tracks of uncompromising, innovative music from horo mainstays and new artists alike, scope represents where we have come from, but moreover, where we will be going. this is just the beginning.

horo gives true artists the freedom to represent the full extent of their talent and it is not often the cerebellum is truly engaged with the genre we have grown from but music for the mind is one of our over-arching ideals. and so we come to *scope*, the 10th release, a full length compilation spread over 5 vinyl 12 inches. deviating somewhat from our vinyl only position up to this point, given the scale and magnitude of this project scope will also be released on cd & digital, although there will also be 5 vinyl only tracks by way of thanks to the vinyl buyers that have supported the label up to this point. 24 tracks of uncompromising, innovative music from horo mainstays and new artists alike, scope represents where we have come from, but moreover, where we will be going. this is just the beginning.

at the start of the 70s, france had no petrol, but it had ideas and artists that managed to tip them into the 21st century 30 years in advance. cosmic machine compiles 20 rare tracks put together with passion and erudition by uncle o (who previously did the shaolin soul compilations) and throws together a collection of stars, a few free-spirits, and also shooting stars.
the transparent double vinyl comes in gatefold sleeve with a cd-copy of the full album.

since day one, radiq has been showing an affinity for the afro-centric funkiness and carefully-honed sound design of modern days minimal music. as in many of his previous tracks, all six songs of >vida noir< has this certain kind of unyielding quality - long, hypnotic grooves with muted kick drum set the stage for more emancipated experiments in texture and sound design. on >a long hot summer break<, for example, the effect is utterly obvious as kicking its ass into gear with syncopated drums and strain of warm chords before animated vocal sample slips in like fingerprint. while deeply seductive interplay of those chugging percussion gives way to delighted horn of >a-dieu<, warm chord and acoustic guitar of >calling< is perfect example for radiq’s masterful sound and texture. >machine codes modified< has rather restrained structure for him, but tightly woven drums speaks eloquently about its carefully arranged funkiness and dance floor functionality. despite their repetitiveness, its surprising how well these productions forming cohesive solidarity as an album. presumably, it owes a lot to wide tonal vocabulary which is radiqs hallmark - these tracks has something concentrated, vivid qualities. this album sits just at the edge of the dance floor, but also performs its exceptional strength on intense home listening. dusky synth and truncated surge of bass of >vida noir< constructing something dark, before closing this album with modulated afro-acoustic guitar and deep falsetto voice (by the producer himself) of >rondo<. this album offers up an engaging and comprehensive amalgamation from the inquisitive sound by the maestro

more tracks selected by the running back head honcho, gerd janson, for our continuing music for autobahns series. this 12inch includes tracks previously only on the cd release plus some exclusives varied and roadworthy electronics that can also be used in cycle lanes and footpaths...tip!

after the pre-take before the summer, wph brings you take 1 in its tribute to the biggest belgian electronic music heritage…new beat! four new killer cuts by a 100% wph family line up, also welcoming long-time friend aril brikha to the family.... this is part 2 of a 4 part vinyl set

for the next release on his mb disco label, martin brodin licences *nka mo dira* - one of the biggest downloads in south african music history, which has also had its music video voted as the best of the year by the star newspaper. the track then gets some fine remix treatment from the boss himself as well as full pupp label boss and disco pin up prins thomas.

first reference of the label white rose (part of the dead rose records project) that aims at the hypnotic detroit sound of the mid 90s and also the dub flavours of the mid 90s berlin sound. the ep is signed by duster traum on his first release and miki craven.

josia played his colourful,excessive sound all over berlin at well-known venues as sisyphos or weekend, but also in numerous german cities and in neighbour countries like poland, luxembourg, lithuania or austria. as producer and remixer josia combines dirty electro bass lines with deep psychedelic soundscapes and effects on a base of minimal techno beats

second release for the athens based recording label lower parts and debut 12inch for the also athens based producer faint object i. three tracks flirting with the dancefloor sound, filled with space boogie vibes and dub infused house stories of darkened figures hypnotized by his magical, uk-influenced dancehall rhythms. startling by all means .only harmony seeds an extra deep subtle warm techno track , some dub influences but brighter beats too for house appeal. tropical sting an electro influenced track , stiff and sharp drum groove , and sizzling analog synths if six was nine is the closing bang, a darkened techno-dance steroid that never lets go its melodism for the shake of the form. aggressive like a machine gun and unearthly cosmic like it has been conceived in the twilight zone, this is a haunting piece of pure bliss! plus it offers one of the best twists in a track that youll get to hear recently mastered by helmut erler and cuted at dubplates & mastering a limited edition of 200 pieces printed in a unique iridescent sleeve illustration by chris ioannou

attention minimal and tech-house lovers: here comes the hit for autumn 2013 on black fox music!
the global underground talent kim pixa(systematic) from czech republic comes with the first single of his forthcoming album in early 2014. after his remix for marc romboys *taiyo* on systematic, now there is a cooperation with the international well known xenia beliayeva (shitkatapult). she fell in love with his track and the result is an emotional, sad and also powerful love song. dark abstract basslines and a punching melody combined with xenias lovesick german vocals is the perfect mixture to set every dancefloor on fire.

growing up in the deep south of germany with multi ethnic friends and big interest in many different music genres of the world, borrowed identity built his wide knowledge in music. this variety in his musical taste is also the reason why he is working under different aliases producing a big variety of sound from ambient to house to experimental music and everything inbetween.

we are very excited to announce our new dirt crew sub label >spiel< and more so our brand new artist clancy who will do the first release on our new imprint, this also being his debut ep. we started the new label to focus even more on different genres in the dance music world than we already did with dirt crew recordings.

the mosso imprint presents the newest addition to its catalogue. the fifth episode of the series features two newly picked, slow-­&#8208,,,,,,burning numbers. reporting alejandro mossos further travels on the fine lines drawn between awakened reverie and inspirited groove, this new record could also be considered as an adroit demonstration on how to preserve delicacy in splendor. as >islote< was slowly taking its final shape in the few weeks preceding the records mastering, alejandro mosso decided to pull. >arrecife< out from his unfinished archives. it is a beautifully stern and steely work, presenting the slow development of the main lead, giving it space to gradually appear from the fine selection of uncanny percussions and steadily met by its accentuated twin. a damper invitation to look within. on the flip, >islote< begins with a selection of colourful drums, not unfamiliar to mossos usual escapades. however, spreading itself like a most complex delicacy, the apparent sweetness of this distinctive title soon gives way to a rugged melody. conveying a sharp yet cloudy feeling, this b-­&#8208,,,,,,side is located somewhere in the middle of a soft longing and bluesy bliss. mosso places the listener into the near isolation of an island, that is still anchored to its continent. needless to say, his magic is once again well at work.the mosso imprint presents the newest addition to its catalogue. the fifth episode of the series features two newly picked, slow-­&#8208,,,,,,burning numbers. reporting alejandro mossos further travels on the fine lines drawn between awakened reverie and inspirited groove, this new record could also be considered as an adroit demonstration on how to preserve delicacy in splendor. as >islote< was slowly taking its final shape in the few weeks preceding the records mastering, alejandro mosso decided to pull. >arrecife< out from his unfinished archives. it is a beautifully stern and steely work, presenting the slow development of the main lead, giving it space to gradually appear from the fine selection of uncanny percussions and steadily met by its accentuated twin. a damper invitation to look within. on the flip, >islote< begins with a selection of colourful drums, not unfamiliar to mossos usual escapades. however, spreading itself like a most complex delicacy, the apparent sweetness of this distinctive title soon gives way to a rugged melody. conveying a sharp yet cloudy feeling, this b-­&#8208,,,,,,side is located somewhere in the middle of a soft longing and bluesy bliss. mosso places the listener into the near isolation of an island, that is still anchored to its continent. needless to say, his magic is once again well at work.

vinyl only. 180 gramm vinyl. shrinked. its ten years since both tom ellis and leif released their first ever vinyl record mindtours 06, which also featured label boss steevio. this marked the beginning of tom and leifs steadily growing reputation on the international underground house and techno scene, with both artists releasing countless records and tracks on many important labels, and as founders and residents of the much respected freerotation festival, all three friends now enjoy worldwide exposure.

another top notch exclusive eyepatch vinyl which will be a must for those deeper sets. >yellow edge< is a three track debut release on eyepatch for japanese dj and house music producer yusuke yamamoto. he runs his own label vacances records and has seen releases on many other labels including oasi lab, houseworx, city life, ibiza house hotspot and more. his tracks are supported by a lot of big djs including luciano, claude vonstroke, d julz, anthony collins and moodymanc to name a few. he brings a fresh approach to house and this is manifested within this superb pack and we love the sound so much we will also be releasing this onto good old 12inch vinyl which will be a welcome addition to any dj s box.

in 2011 when mad mats and tooli went to sonar festival in barcelona they met ludovic llorca aka art of tones outside a club. little did they know back then that two years later on they would release a 12 inch together. the same thing ep opens with the title track and kicks pretty damn sweet with its strong vocal, the guitar, bass and rhodes jamming on top of a tight groove, there is also a dub version included on the b-side. last but not least, the great sgatmi is a jazzy and bumpy house take with lots of samples perfectly balanced. all in all, classic art of tones material and the work of a producer firing on all cylinders.

nyta hails not from the big apple, but from bristol, uk. his real name is mensah anderson, who is also the seasoned producer that you probably know simply as mensah. the nyta guise focuses on being a fresh outlet for his 120 - 130bpm 80s electro, house & techno influenced tracks & creations. the new york transit authority name was first adopted for a split 12 release with conqueror (redlight) on redlightfs lobster boy label last year. his side was a slinky, 808 house number entitled *off the traxx*, which deservedly found its way into facts 50 best tracks of the year & was caned by a wide range of top djs across the globe, including joe goddard, loefah, redlight, boddika, jackmaster, disclosure, pearson sound, benji b & giles peterson to name just a few. nyta has already proven himself as a talent on the decks with sets across the world & two exclusives mixes: one for dazed & confused & ethe onef for fact mag that finished in the top 20 best fact mixes of the year.

horo gives true artists the freedom to represent the full extent of their talent and it is not often the cerebellum is truly engaged with the genre we have grown from but music for the mind is one of our over-arching ideals. and so we come to *scope*, the 10th release, a full length compilation spread over 5 vinyl 12 inches. deviating somewhat from our vinyl only position up to this point, given the scale and magnitude of this project scope will also be released on cd & digital, although there will also be 5 vinyl only tracks by way of thanks to the vinyl buyers that have supported the label up to this point. 24 tracks of uncompromising, innovative music from horo mainstays and new artists alike, scope represents where we have come from, but moreover, where we will be going. this is just the beginning.

september will see mock & toof release *temporary echoes*, an eclectic collection of remixes from their highly acclaimed albums *tuning echoes* & *temporary happiness*, featuring interpretations from the likes of wolf & lamb, kink & neville watson & dmx krew. to accompany the album release there are two very limited vinyl samplers. vol. 2 sees rising stars sling & samo (l.i.e.s. records) turn in a heavy spaced-out house jam rendition of *farewell to wendo*, portugals tiago (golf channel) go warm, deep & classy on *sleeper* while call supers amazing remix of *the key* also features (never released on vinyl before). dont sleep - no represses! vol. 1 features remixes from wolf & lamb, skatebard, kink & neville watson & young marco.

people get ready! heres the first of several studio barnhus releases to come from 20-year-old stockholm native baba. despite his youth, this former ballet dancer has an impressive discography under his belt, having been one of the strongest forces of the elusive skweee scene since 2008 while also releasing two albums of dreamy folk pop under his betlehem beard corporation alias. our girls is a raw, bouncy house jam recorded to cassette in three different tempos and arrangements. enjoy!

massive dj support from ricardo villalobos, dixon, marcus worgull, me, scuba, tale of us, agoria, kyodai...
the konstantin sibold remix is destined to be one of the biggest club hits of this year! the originals and the simon garcia remix are also top notch. watch out for konstantin sibold s remix of as goes the sun which is due later this year.

the vinyl debut from new yorks paul raffaele (who runs the popular music blog dog and pony show). 4 track house ep. along with the original mix of rose you get a vin sol & matrixxman remix and a prince language remix. also includes the bonus cut, isabelle. strictly limited one-time pressing of 350.

cult melbourne band primitive calculators cut a single in 1979 before splitting in the true punk fashion. a posthumous eponymous live album was released in 1981 (also reissued this spring on desire) and that was it. those two tracks are as fresh now as they were more than 30 years ago: in a style not dissimilar to the screamers or cabaret voltaire (circa nag nag nag), primitive calculators used raw monophonic synth lines with scratchy guitars and screaming vocals but the songs were standing on their own (as the unplugged version of do that dance that appears on the primitive calculators and friends 1979-82 could testify. the original 7 inch is now incredibly rare and hard to find and this reissue is its exact replica. first pressing limited to 500 copies.

debut release on mira from the kvbs new project
full colour, stickered picture sleeve designed by silent servant aka juan mendez
this release again incorporates the bands nostalgic, shimmering guitar sound but also treads a darker more dubbed feel across its 3 unnerving tracks.

tin man has been creating a stir on dance floors worldwide for many years with his unique vision of acid, techno and house. in recent times he has opened his production toolbox to a wider variety of styles, also focusing on songwriting, often adding vocals. the underdog series, produced last winter in new york, emphasizes on deep killer techno – this new release – the underdog ep part 2 – features three floor shaking techno cuts in different shapes. on the a side the aptly titled >swarm< features an epic minimal acid tune building over 10 minutes driven by twirling soundscapes resembling a swarm of killerbees on attack. flipping over there is >hack<, which bows towards soundhack with its dirty funked up sample chords and cut up groove. the ep finishes off with >rocky<, a masterpiece in reduction – hypnotic and deep techno.

introducing the house of 12 vol.2, also including some new artists on this one. a1 is with martin bell, uk, the man behind all those videos on youtube about >how to make house music with soul<. a jazzy house raw tune, proper sound for a proper dancefloor. a2 is a mysterious band from croatia, rare people house brand, all stuffed with vintage gears as well, presenting a house/disco song with a fucking good syncopatic crescendo and some hypnotic vocal. b1 is an italian guy, jacy, and his talented attitude to resume a disappeared vibe from old italian house from the early 90s, mixed with a new touch, so its not revival, its a new life about that genre!! b2 is the worst of the band, as usual, deep88, here with a raw-all-played-track that hasnt seen any sequencer, just a multitrack tape overdubbing and mpc.

everybody likes doumen, but also everybody says >oh no ... i love doumen, but its hard to play their records in my dj sets or to have a party with them...<
so this is why we founded van doumen. it is a rework sublabel, completely based on original doumen material, following the idea of tracks that work in dj sets, but still have the doumen spirit. the first record was done by scherbe (uncanny valley, big bait, ..), philipp matalla (kann records, internasjonal spesial, ..), webermichelson (holger) and potensia (modern soul, ..). the first two tracks are superb club smashers, followed by an angry caricature monster of techno and finally potensia walks you home in the most intimate and beautiful way possible. to be honest, we say this record as a first step of van doumen is a classic already.

tidy discofied house ep from the faces boss. also featuring the talents of tokyos kez ym. tip!

to mark the occasion of delsin hitting 100 releases, the label is to release five new various artist eps throughout the rest of the year. besides a special collectors box edition, all eps will be offered separately, with limited edition colour runs and unlimited black copies. all fifteen tracks will also be compiled onto one cd.

who of you still knows it? the legendary track adventures of dama by the cybordelics? for the fans of that classics and inquisitive people, who have not been part of the scene back in 1998, there is now good news. on harthouse mannheim a new edition of the track will be released now. this project was founded back then with the three producers daniel varga, milan zemanec and mike s. the latter is distinguished in this new version again and also responsible for the fresh sound.